4/6/2023 0 Comments Tvtropes eye of the beholder 3“Am I human? Does it say in your files what I am?” asks one crew member. Where one humanoid cannot imagine any meaningful activity beyond the work they were created for, another insists on their burgeoning selfhood: “I may have been made, but now I’m making myself.” It might merely be a question of bureaucracy. The novel is saturated from the outset in ontological uncertainty the crew is made up of both humans and humanoids, the born and the grown, but it is not always possible to work out from their statements which is which. “I’m not sure, but isn’t it female?” asks that same cleaner about one of the objects. The book takes the form of a series of statements – some missing, some with material redacted – made by the crew to a bureaucratic committee investigating the effects of the strange objects: not what they might be or reveal, but how they might “precipitate reduction or enhancement of performance, task-related understanding and the acquisition of new knowledge and skills”. The Employees is not only a disconcertingly quotidian space opera it’s also an audacious satire of corporate language and the late-capitalist workplace, and a winningly abstracted investigation into what it means to be human. “It’s not hard to clean them,” says a crew member of the strange objects found on the faraway planet New Discovery, now housed in the Six-Thousand Ship orbiting above. Danish author Olga Ravn’s brilliantly unusual novel The Employees, which has been shortlisted for the International Booker prize, is an SF epic in miniature, but it takes a prosaic approach to our dreams of extraterrestrial transcendence. F rom the mysterious monoliths in 2001: A Space Odyssey to the impossible spaceship in Arrival, one of science fiction’s favourite tropes is the alien artefact that defies human comprehension.
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